

He is able to bring lasting emotional effects on the listener, something that few artists have been able to replicate. Smith's vocals shine here, as he does in the entire record with a voice that is spectacular and makes him sound human. "Stay With Me" is a definite highlight, one that is both electrifying and empowering with the incredible gospel performance made in the chorus. Deep sorrow drowns most of the material here, and you can really feel the immense emotion Smith has in his vocal sets which is a massive plus. It can relate to many, those who haven't had someone love them back which Smith talks about in some of the songs he does in the record. Sam Smith trades that away, directing his music in this album to a more mournful, depressing tone which showcases him as a heartbroken man who's quite lonely. The freshman record entirely sees Smith overhauling his sound, in which with his features in "Latch" and "La La La" being more up-beat and light-hearted. This debut record is undoubtedly one of the better pop records of the year, and is a promising first step from the young British man. He may just be, as his debut record "In The Lonely Hour" shows with his wide vocal range that also is both empowering and passionate, along with beautiful instrumentation that laces a good portion of the freshman record. Europe has adored this then-unknown singer-songwriter, with numerous people proclaiming him to be the male version of fellow British singer Adele. Few artists obtain the richness and wide vocal ability that Smith has, a crooning voice that is both empowering and passionate.

His singles with Disclosure and Naughty Boy have done nothing but earn him massive acclaim, as well as give him multple opportunities to make his presence felt in other regions of the globe. Sam Smith is having himself a career year, especially with the entire music establishment looking to him. Review Summary: The proclaimed "male version of Adele" brings in a solid debut record that sees Smith directing his music for a more sadder tone.
